DRC 2024
Permanent URI for this collectionhttp://repository.kln.ac.lk/handle/123456789/29875
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Item AN EXAMINATION OF THE ATHENIAN IMPERIAL POLICIES TO CONTROL THE ECONOMIC AUTONOMY OF COLONIES AND ALLIED STATES IN THE 5TH CENTURY BCE AS DISCLOSED BY THUCYDIDES(The Library, University of Kelaniya, Sri Lanka., 2024) Jayathissa, M. S.Thucydides’ (460-400 BCE) record of history on the Peloponnesian War which happened during the 5th century BCE provide an extensive account on the Classical Athenian Empire. By critically examining Thucydides’ The History of the Peloponnesian War, the study aims to uncover how Athens used her strategic position as one of the active commercial hubs of the Mediterranean to centralize economic control and restrict the economic independence of her allies. Particularly, the port of Piraeus which is located southwest of Athens. Taking Thucydides’ work as the primary source material the methodology involves a textual analysis, focusing on key incidents such as the restrictions imposed on the case of Methone, the revolt of Thasos, the Megarian Decree, and the revolt of Ceos. These incidents are cross-referenced with epigraphic evidence as well to construct a comprehensive picture of Athenian economic control mechanisms. The study highlights the policies of Athens regarding trade regulation, tribute imposition, and currency control, and assesses their impact on the local economies of her colonies and allies. The results indicate that these measures played a major role in strengthening Athens' economic supremacy through Piraeus, while also contributed to oppositions and uprisings among the subjected states. Further, this study incorporating existing scholarly work by presenting a nuanced comprehension on the Athenian economic imperialism and its strategic use of Piraeus as a commercial center. In conclusion, the research provides insights into the interaction between economic dominance and imperial authority of ancient Athens, emphasizing the efforts of Athens to sustain her empire through strategic policies.Item THE ROLE OF WOMEN IN ATHENIAN MARRIAGE AS DEPICTED IN VASE PAINTING: LEBES GAMIKOS(The Library, University of Kelaniya, Sri Lanka., 2024) Jayawardena, S. G.The lebes gamikos, a type of ancient Greek pottery associated with weddings, provides a valuable lens through which to examine the role of women in Athenian marriage. A prominent example is the wedding scene attributed to the Washing Painter, a prolific artist of the late 5th century BCE. This vase painting offers rich visual evidence that illuminates the cultural norms and societal expectations surrounding Athenian women during this period. This study employs a qualitative research methodology, focusing on an in-depth analysis of visual and thematic elements in vase paintings. For this desk research, the analysis will primarily utilize books, scholarly articles, and other resources from libraries and online databases based on the research area. By examining the figures and activities depicted in the Washing Painter’s wedding scene, alongside other contemporary vase paintings from 5th century BCE Athens, the study aims to elucidate the societal roles and expectations of women in marriage. Central to this research is the detailed examination of the figures and activities portrayed in the Washing Painter’s wedding scene. The depiction of the bride, veiled and surrounded by female attendants, highlights themes of modesty, communal support, and the transmission of domestic skills, all crucial aspects of a woman's role in Athenian marriage. Ritual activities such as the ceremonial bath emphasize purity and preparation, underscoring societal expectations of women as embodiments of virtue and domesticity. The presence of male figures, often the groom and his relatives, symbolizes the patriarchal transfer of the bride from her natal family to her husband's household, reflecting the broader societal structure in which women’s roles were primarily domestic and familial. The rationale for focusing specifically on the lebes gamikos and the Washing Painter’s depiction lies in the nuanced insights these artifacts provide, which have been relatively underexplored compared to other forms of ancient Greek art. While extensive research exists on the general portrayal of women in ancient Greek art, this study aims to fill a gap by providing a focused analysis of wedding scenes on the lebes gamikos, highlighting its unique contribution to understanding gender roles in Athenian society. By comparing these findings with other 5th century BCE vase paintings, the research seeks to uncover subtle variations and commonalities, offering a fresh perspective on the cultural and social fabric of ancient Athens.